Showing posts with label kinlochleven. Show all posts
Showing posts with label kinlochleven. Show all posts

Monday, 18 May 2015

DAN CAVIN





DAN CAVIN - AN OBITUARY


Painting!  That’s something I’ve tried to do over the years, but I never really succeeded in producing anything worth keeping, so all my efforts have ended up in the bin.

Once I attended a night class, determined to learn how to use water colours.  The tutor was very nice and helped everyone, suggesting techniques and colours to be used, but I felt that things just weren’t working out for me. I’d watch the Chinese boy sitting next to me delicately applying washes over washes and blending wet on wet with deft skill as water lilies and lotus flowers bloomed on his paper.  My painting descended into a maelstrom of swirling colours as if oil paint had been applied with a palette knife by a laudanum-quaffing 3-year old in kindergarten.  The paper would end up three times heavier that when I started, saturated with water and paint.

So, painting became solely a therapeutic activity rather than an attempt to produce an artistic representation of the world around me.  Maybe I just didn’t have the patience.

Now, therapeutically painting the woodwork in my house, I’m an expert.  This is one redeeming feature in my life as a painter.
So, what does it require to become a painter, an artist?  To be able to portray landscapes, portraits, moving water, clouds, still-lifes, architecture, trees, requires a technique which remains a mystery to me. I know the theory but not the practice.

Appreciation of works of art is subjective and can’t be measure in money.  The value of a piece of art lies in the fact that it pleases the owner, the artist or the buyer.  And I know what I like.  One criterion is how I feel when I look at a painting. 
I’ve brought along a couple of paintings that I like for various reasons.

The artist is Dan Cavin.

Dan was a self-educated man. His love of language could be enjoyed in the range of poetry he could recite for hours, all learned by heart – Yeats, James Elroy Flecker, Robert Burns and WD Cocker were amongst his repertoire.  (And if you want to see him recite, please log on to youtube and type in Dan Cavin and a couple of his recitations will come up – It Wisnae His Wight by Dr Charles Murray, and The Deluge by W D Cocker.) 

And the playwrights – Christopher Fry’s The Lady’s Not for Burning, (he wasn’t pleased that Thatcher had paraphrased this for a speech in 1980 to “The lady’s not for turning”). And Flecker’s Hassan come to mind.  In this wonderfully evocative prose poem, he would recite parts of the play with great depth and relish:
       
       Sweet to ride forth at evening from the wells,
         When shadows pass gigantic on the sand,
And softly through the silence beat the bells 
  Along the Golden Road to Samarkand. 

His interest in the arts extended through sculpture and painting, becoming a sculptor and a painter himself, and having an early interest in cubism and the dream-like images of Chagal, interpreted with his own individual style.

Then there is his love of music.  I remember the mammoth task he undertook to classify and record his vast collection of 78s and LPs, all arrayed along the wooden shelving in his personal sitting room.  And his collection of gramophones, one in particular with a giant horn made out of paper mache, the “needle”, being a piece of cane cut obliquely with a cigar cutter.  Dan was an original in everything he undertook.

Here are a couple of his paintings.  The scenes are of Ardnamurchan on a west coast peninsula.  Every time I look at these paintings, I see something I haven’t noticed before.  They are subtly monochromatic and the rocks and houses evoke a sense of the isolation of the community.  For me, you are able to feel the atmosphere in the this remote highland village.



Above all, Dan was a gentleman in every sense of the word, a real, genuine human being.  Outspoken in his love of the arts and in his condemnation of injustices in the world.  A lateral thinker who formed his own opinions, but was still able to listen to other’s views.  Yet he preserved his sense of his own individuality with humour:  I’m glad I’m not people, was one of his favourite retorts to the question, What would people say.

Dan passed away last Monday after a long illness.  Tomorrow, I attend his funeral in Kinlochleven where he spent the last years of his life.





  

RANDON THOUGHTS

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